Here was another subtle yet compelling collection from Maximilian Davis that highlighted the precise vision and refined approach to daywear marking his tenure at Ferragamo. The creative director continued to nod to the roots of the brand with his ongoing exploration of the ‘20s, this time enlarging the scope of his inspirations to artists and creatives of the era.
During a walk-through in Milan, he referenced Man Ray’s artistic practice and Cubism, whose aesthetics trickled in prints, folded constructions and in the color palette that always speaks volumes of his sensibility in turning even the simplest pieces into polished looks via color-blocking.
The textural component was just as important. A focus on patchwork winked to art collages and gave way to some experimentations, reaching a zenith with two modern takes on flapper dresses featuring pleated gold lame and metallic satin panels applied on the dropped-waist shapes. They came on the flashier end of this approach, but not the most compelling ones.
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In fact, the elongated lines and signature silhouette of the era impressed in more subdued and wearable expressions, from printed pleated tops and skirts in fluid fabrications and scarf dressing to evening gowns in washed velvet.
Davis additionally leaned on linen – picked for its “organic texture and how it never feels so perfect” – rich suedes elevating wardrobe staples like trench coats, and the brand’s forte – leather. This was exalted in combination with other materials, spanning from knits to nylon. File under the former category the standout chocolate bomber jacket oozing the ease of a cardigan thanks to its hybrid construction, and men’s zippered coats and windbreakers in nylon with leather trimming under the latter.
